In honour of International Women’s Day, a short list of some wonderful female photographers for inspiration (in no particular order).
As a ‘creative’, I have long known the false beliefs perpetuated by some that “Apple is for creatives” and “Windows is for accountants” is just so much falderal. The two platforms do, essentially, the same things, just in different ways.
That said, the release of the first Windows-based Nokia smartphones a few years ago incorporating the PureView sensor technology was intriguing. So much so that when the 1020 was announced, I made plans to get one. The idea of the large sensor, and ‘lossless zoom’, combined with the ability to capture in RAW mode was very appealing to this photographer. I am not a ‘photography snob’ and as such recognise that very compelling imagery can be made with any type of camera. Continue reading
Donald Weber wrote an essay in March 2015 on the state of photojournalism today. Weber is a World Press Photo juror and a member of VII Agency. Despite the problems World Press Photo has had in recent years, it remains a very prestigious competition.
In the essay, Weber lamented the death of photojournalism has he knew it and as he learned it. And he is correct. Continue reading
The old saying is true. Opinions are like [insert specific anatomical reference], everybody has one. Witness the number of opinion columnists employed by newspapers and the number of pundits who appear regularly on other media outlets to expound at length about this, that, and any other thing. Like most any other endeavour, there are good and bad providers of opinion. What separates the two? Continue reading
This man is a roving and impassioned daguerreotype that preserves the least traces, and on which are reproduced, with their changing reflections, the course of things, the movement of the city, the multiple physiognomy of the public spirit, the confessions, antipathies, and admirations of the crowd.
Victor Fournel, on the idea of the flâneur Continue reading
Perspective, optical not philosophical, may be one of the least understood concepts in photography.
Very simply, perspective is the spatial relationship between elements in your picture. What does that mean? It is the way the various parts of the picture are spaced visually in the image. It is a fixed construct and it depends one only one thing: your distance to the subject. Focal length doesn’t play any role. Aperture doesn’t play any role. Continue reading
If you read the musings here you’ll know that I like to co-opt song titles and lyrics. So, with a nod to Edwin Starr we’re going to talk about the idea of ‘workflow’.
What is workflow? It’s a term used a lot in photography but is it a term that people generally know what it means? Continue reading
Not too long ago I wrote a short article on the ills of social media for photographers. Recently I read an article by photographer Ugo Cei that discussed some of the same problems but went a bit further. He also decried the sameness of much of what is out there today in the world of photography. He also lamented the lack of soul in much of what he sees. Continue reading
One of the worst things to happen to photography is the Internet and in particular social media.
As photographers, we need to be able to self-curate. It’s hard to do. Very hard. We get attached to the pictures we take and sometimes it’s difficult to let go because we have a connection to the image or with the circumstances in which it was taken. But we must do it. Continue reading
Camera makers are well-known for making slight changes to gear and components from camera to camera. It’s a good move on their part because it means you have to buy different accessories for each camera. I’ll give Nikon credit for making the grip on the D300 and D700 the same, but other than that, they all get a failing grade.