The discussion of editing has been left till now because it is, to me, of lesser importance than the rest. But it is also logically what follows what has come before it. Only after we have been out taking pictures do we begin the work of editing. It is for that reason, as well, that the next section on telling stories through a body of work comes after this one. It is only after we have culled and edited that we can begin to curate the finished photos into a coherent story, ready to show to others. Continue reading
Photography, perhaps more than any other endeavour is replete with the equivalent of ‘get rich quick’ schemes. There are any number of software companies and individual photographers hawking ‘one click fix’ solutions. From snapshot to amazing shot-type books and tutorials. Action sets that will set your heart a flutter at the ease with which a couple mouse clicks will make your photo a masterpiece. Continue reading
If you read the musings here you’ll know that I like to co-opt song titles and lyrics. So, with a nod to Edwin Starr we’re going to talk about the idea of ‘workflow’.
What is workflow? It’s a term used a lot in photography but is it a term that people generally know what it means? Continue reading
There are several articles and videos on the interwebs about the Fuji X-T1, Fuji’s new flagship in its wonderful X-Trans sensor line of cameras. This isn’t going to be a hardcore, pixel-peeping, measurbating, test-bench jockey review like some of the others. I will go through some of the performance aspects of the camera but I’m also going to discuss some of the user-related aspects. I’m more concerned with how the camera operates in actual shooting conditions. At 16 megapixels, the pixel pitch, or size, is the same as on the full-frame Nikon D800.
I’ve been seeing a number of articles recently dealing with settings for Adobe Lightroom and backing up of the Lightroom catalogue. There are certainly a wide variety of opinions about how to go about these tasks. I’m going to give you my solution for backing up the Lightroom catalogue. It works for me, it may or may not work for you. I’ll also provide my thoughts on some alternatives with respect to using the cloud for back up.
Do you want your whites their whitest? Use Tidy Det…. no, wait, wrong commercial. Do you want your whites their whitest? Use White Balance. That’s better. OK, I’ll stop with the bad humour now.
In this instalment of the ongoing Photo Basics series, we’re going to look at a camera control that can be confusing but really shouldn’t be: White Balance. In very simple terms, white balance is used to keep white things white. Or grey things grey. And all other colours their ‘proper’ colour too. Note that I’ve highlighted the word ‘proper’. We’ll come back to that later in the article. Essentially white balance is used to maintain a ‘neutral’ colour balance. Continue reading
I wrote a couple articles back in 2010 about geocoding (or geotagging) photos using an app for Blackberry phones. Having recently switched to the Android platform, I was looking to do the same thing with the new Android phone.
There are a number of apps that come up when searching the Android Market for geotagging or gps tracking. The one I’ve started with is GPSLogger. I chose it because (a) it’s free and (b) because it natively creates track logs in the .gpx format which is what the syncing software GPicSync uses. Continue reading
When the Apple iPhone came out with, about, the third iteration it had a reasonably decent camera and sparked a whole sub-genre of photography called iPhoneography. Some big name photographers started taking, displaying and selling iPhone images. A whole host of apps were created to complement iPhoneography. As surprising as it sounds, not everyone has an iPhone nor does everyone want an iPhone. But for those who aren’t ‘Apple people’ you can get in on the game too. Android smartphones have cameras as well (so do Blackberry phones but in my experience, RIM’s implementation of cameras is pretty weak) and some are as good or better than what’s in the iPhone. I’m going to take a look a a new one on the market, the Samsung Galaxy SII. Continue reading
There are many ways to go about sharpening digital images. Some very simple, others very complex. Some better than others. One of my personal favourites is the High Pass method which I wrote about in an earlier tutorial.
Something that seems nearly universal is the desire for ‘editable’ sharpening. That is, being able to go back and change it in the future if desired. The simple, straightforward methods like Unsharp Mask or Smart Sharpen don’t allow this. There are several ways to have adjustable sharpening; however, and we’ll talk briefly about a few of them and in more detail on one in particular. Continue reading
In the last instalment, we looked at a millenia-old compositional tool called the Golden Mean. This time we’re going to look at one that’s popular more in photography and also can be a bit controversial. It’s called The Rule of Thirds. I know, there’s that nasty “rule” word. Despite the name, again, think of it as a guideline rather than a hard and fast rule. The reason it’s one of the most basic is because it’s so simple to implement. The reason it’s so controversial is because some treat it like a dogmatic edict from the Mount Olympus of Photographic Art and think every image must adhere to it without wavering in the slightest. The simple part is true. The dogmatic edict part is pure codswallop. Or as some of my UK friends would say, bollocks. Continue reading