Open Letter to Satya Nadella – Surface Phone

Mr. Nadella,

As a ‘creative’, I have long known the false beliefs perpetuated by some that “Apple is for creatives” and “Windows is for accountants” is just so much falderal. The two platforms do, essentially, the same things, just in different ways.

That said, the release of the first Windows-based Nokia smartphones a few years ago incorporating the PureView sensor technology was intriguing. So much so that when the 1020 was announced, I made plans to get one. The idea of the large sensor, and ‘lossless zoom’, combined with the ability to capture in RAW mode was very appealing to this photographer. I am not a ‘photography snob’ and as such recognise that very compelling imagery can be made with any type of camera. Continue reading

Street Photography – Epilogue

Donald Weber wrote an essay in March 2015 on the state of photojournalism today. Weber is a World Press Photo juror and a member of VII Agency. Despite the problems World Press Photo has had in recent years, it remains a very prestigious competition.

In the essay, Weber lamented the death of photojournalism has he knew it and as he learned it. And he is correct. Continue reading

Street Photography VIII

Some will say that a picture should need no caption, that it should stand on its own. It is true, in some cases, that a photograph can stand on its own and need no caption, or description. In many, I would suggest most, instances; however, some complementary text can be very important. Our own personal experiences play a large part in how we perceive visual imagery. A photo of Birkenau has a very different meaning to someone who is Jewish than to a Christian or an Atheist. A different meaning still to those who are older vs. those who are younger. We are informed by our own history. I understand the particular areas of Toronto I shoot in. I know the neighbourhoods and some of the people. Others who know the areas have a similar understanding of the pictures as I do because they have that history. What’s that old saying about walking a mile in someone’s shoes? We do not all see the same things, nor should we. What is appreciated by one person may not be by another. And there is nothing wrong with that. Continue reading

Comparatively Speaking….

We seem, as a species, to have a nearly pathological obsession with making comparisons. For some reason, we seem unable to evaluate something on its own merits. The extent to which we seem to do it today is disturbing and it is disrespectful to the parties being compared. Continue reading

Street Photography VII

The discussion of editing has been left till now because it is, to me, of lesser importance than the rest. But it is also logically what follows what has come before it. Only after we have been out taking pictures do we begin the work of editing. It is for that reason, as well, that the next section on telling stories through a body of work comes after this one. It is only after we have culled and edited that we can begin to curate the finished photos into a coherent story, ready to show to others. Continue reading

Street Photography VI

The night is a very interesting time for photography in general and street photography in particular. Certainly the lighting is different. But more importantly, the people are different. It is a very different person who is out at night from the day. Even if it is the same person, they are different. The night is personal time. People who you might see during the day are more likely to be more relaxed at night. There is also a sector of the community that you probably will only see after the sun goes down. Continue reading

Of Ethics & Ethics – Photographic & Journalistic

The old saying is true. Opinions are like [insert specific anatomical reference], everybody has one. Witness the number of opinion columnists employed by newspapers and the number of pundits who appear regularly on other media outlets to expound at length about this, that, and any other thing. Like most any other endeavour, there are good and bad providers of opinion. What separates the two? Continue reading

Street Photography V

It is not just the fading romance of something that is about to disappear that he gives us, but rather a new statement now framed within his photograph that transcends the evocative beauty of the gardens themselves.

Jacqueline Kennedy, speaking about Eugène Atget Continue reading