The camera is a shield. Even though you see everything through the viewfinder, you’re putting something between you and what’s happening.
Being able to capture candid photos of people is key to successful street photography. As was discussed in the prologue and will be covered more in another essay, not all street images have to be candid but candids are a staple of the art form.
The decisive moment is several things. It is the name of a book containing the photos of Henri Cartier-Bresson. It is the phrase Bresson came up with to describe his approach to his photography. It is the mantra that many have used to talk about street photography in the years since Bresson. Continue reading →
This man is a roving and impassioned daguerreotype that preserves the least traces, and on which are reproduced, with their changing reflections, the course of things, the movement of the city, the multiple physiognomy of the public spirit, the confessions, antipathies, and admirations of the crowd.
The city of Detroit has a long, varied and proud history. Once the spiritual, if not physical, epicentre of American manufacturing, Detroit has, more recently, become the postcard for the ‘Rust Belt’. Perhaps the latter 20th and early 21st century analogue to the ‘Dust Bowl’. That collection of contiguous, once economically strong, states in the northeast and midwest of the U.S. that has come to epitomise the decline of the ‘middle class’. Continue reading →
Photography is a very technical, and technology-driven pursuit. Camera makers continue to try to outdo each other with various improvements in features and functionality and tout these in big, bold headlines. But are these improvements really beneficial or just bleeding edge incrementalism that is intended to get the ‘photo press’ all agog and photographers to part with money? Continue reading →
Perspective, optical not philosophical, may be one of the least understood concepts in photography.
Very simply, perspective is the spatial relationship between elements in your picture. What does that mean? It is the way the various parts of the picture are spaced visually in the image. It is a fixed construct and it depends one only one thing: your distance to the subject. Focal length doesn’t play any role. Aperture doesn’t play any role. Continue reading →