Street Photography – Epilogue

Donald Weber wrote an essay in March 2015 on the state of photojournalism today. Weber is a World Press Photo juror and a member of VII Agency. Despite the problems World Press Photo has had in recent years, it remains a very prestigious competition. In the essay, Weber lamented the death of photojournalism has he […]

Street Photography VIII

Some will say that a picture should need no caption, that it should stand on its own. It is true, in some cases, that a photograph can stand on its own and need no caption, or description. In many, I would suggest most, instances; however, some complementary text can be very important. Our own personal […]

Street Photography VII

The discussion of editing has been left till now because it is, to me, of lesser importance than the rest. But it is also logically what follows what has come before it. Only after we have been out taking pictures do we begin the work of editing. It is for that reason, as well, that […]

Street Photography VI

The night is a very interesting time for photography in general and street photography in particular. Certainly the lighting is different. But more importantly, the people are different. It is a very different person who is out at night from the day. Even if it is the same person, they are different. The night is […]

Street Photography V

It is not just the fading romance of something that is about to disappear that he gives us, but rather a new statement now framed within his photograph that transcends the evocative beauty of the gardens themselves. Jacqueline Kennedy, speaking about Eugène Atget

Street Photography IV

Every picture tells a story don’t it… Rod Stewart In that classic song, which you are unlikely to hear much today given it’s racist lyrics, the protagonist is painting a picture with words and telling his story through song. In street portraiture, your subject is telling their story through your picture with their words.

Street Photography III

The camera is a shield. Even though you see everything through the viewfinder, you’re putting something between you and what’s happening. John Hoagland Being able to capture candid photos of people is key to successful street photography. As was discussed in the prologue and will be covered more in another essay, not all street images […]

Street Photography II

The decisive moment is several things. It is the name of a book containing the photos of Henri Cartier-Bresson. It is the phrase Bresson came up with to describe his approach to his photography. It is the mantra that many have used to talk about street photography in the years since Bresson.

Street Photography – Prologue

This man is a roving and impassioned daguerreotype that preserves the least traces, and on which are reproduced, with their changing reflections, the course of things, the movement of the city, the multiple physiognomy of the public spirit, the confessions, antipathies, and admirations of the crowd. Victor Fournel, on the idea of the flâneur